Breaking the Frame: Arabesque and Metric Complexity in the Sunrise Scene from Ravel’s Daphnis et Chloé (1912)

The arabesque is a type of ornament that achieved considerable popularity during the Art Nouveau movement of the fin/debut-de-siècle. This paper examines how in the Sunrise Scene from Ravel’s ballet, Daphnis et Chloé (1912), he conceived of this ornament as an ostinato motif whose short rhythmic val...

Täydet tiedot

Bibliografiset tiedot

Päätekijä:	Gurminder Kaur Bhogal
Aineistotyyppi:	Artigo
Kieli:	Alemão
Julkaistu:	Gesellschaft für Musiktheorie (GMTH) 2008-01-01
Sarja:	Zeitschrift der Gesellschaft für Musiktheorie
Aiheet:	Abgesang; Arabeske, arabesque; Richard Cohn; Jonathan Cramer; Harald Krebs; hyper meter; Naturrhythmus, natural rhythm; Pan; Maurice Ravel; Polyrhythmik, polyrhythm; Stollen; tableau vivante
Linkit:	https://storage.gmth.de/zgmth/pdf/270
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