Dans le laboratoire de l’artiste : des représentations à l’épreuve du vivant
Artists increasingly choose scientific devices and even its methodology as the center of their practice. Is this the expression of a desire to base creation on objectively established knowledge, in a society still largely subject to positivist models? Moreover, can and should their work, which const...
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| Médium: | Artigo |
| Jazyk: | Francês |
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Centre d´Histoire et Théorie des Arts
2021-06-01
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| Edice: | Images Re-Vues |
| Témata: | |
| On-line přístup: | https://journals.openedition.org/imagesrevues/10863 |
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