« “Les rythmes de la vie nue” : enjeux phénoménologiques de l’interdisciplinarité du baroque (Wölfflin, Chastel, Raymond, Rousset) »
The aim of this article is to show how several scholars, historians of art and literature, have focused, in order to go against the original lexicological flaw of the Baroque, on making its history from disciplinary paradigms. Indeed, to speak of the baroque is often to defend a particular method or...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Institut du Monde Anglophone
2023-09-01
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| Rangatū: | Etudes Epistémè |
| Ngā marau: | |
| Urunga tuihono: | https://journals.openedition.org/episteme/16869 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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