« L’intime est politique. » Les corps malades féminins chez Jo Spence et Hannah Wilke
Through the study of the final works of Jo Spence and Hannah Wilke, produced when both were cancer patients, this article addresses the representation of unwell female bodies in art history within the western sociopolitical context of the late 20th century. Their works reflect a feminist perspective...
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| Format: | Artigo |
| Idioma: | Francês |
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Institut national d'histoire de l'art
2024-11-01
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| Col·lecció: | Perspective |
| Matèries: | |
| Accés en línia: | https://journals.openedition.org/perspective/31068 |
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