The Flesh Made Word: Bodily Inscription and Religion in <i>Celine et Julie Vont en Bateau</i>
In <i>Celine et Julie Vont en Bateau</i> Jacques Rivette works through his discomfort with the theological function of the author, a discomfort stemming from the material effects of authorship on the bodies of his actors. Examples of bodily incision and bruising proliferate throughout the film, part...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
MDPI AG
2018-11-01
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| coleção: | Humanities |
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| Acesso em linha: | https://www.mdpi.com/2076-0787/7/4/114 |
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