Techno-Orientalism with Chinese Characteristics: Maureen F. McHugh’s <em>China Mountain Zhang</em>
<p>Christopher T. Fan argues that McHugh’s award-winning 1992 science fiction novel perceives the twilight of the American Century by offering a “critical realism,” to use Georg Lukács’s phrase, of postsocialist US–China interdependency. In other words, it offers a form in which we perceive ourselve...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Artigo |
| اللغة: | Inglês |
| منشور في: |
eScholarship Publishing, University of California
2015-03-01
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| سلاسل: | Journal of Transnational American Studies |
| الموضوعات: | |
| الوصول للمادة أونلاين: | http://escholarship.org/uc/item/8n70b1b6 |
| الوسوم: |
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