<i>O vis eternitatis</i>, Text Expression, and Performance in the Music of Hildegard von Bingen
The article analyzes the responsory <i>O vis eternitatis</i>, the symbolic opening of Hildegard von Bingen’s primary music collection, to show how Hildegard’s musical choices support the key words and concepts of the composition. It examines usual components of construction, such as mode, melisma, r...
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| Médium: | Artigo |
| Jazyk: | Inglês |
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MDPI AG
2025-09-01
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| Edice: | Religions |
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| On-line přístup: | https://www.mdpi.com/2077-1444/16/9/1209 |
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