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Drawing on a corpus of participative mobile applications made available by Rmn – Grand Palais to its visitors between 2012 and 2017, the author examines how the cultural institution has taken into account the “Instagram-ification” of its audiences and how this is reflected in various mechanisms (sce...
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| Autor Principal: | |
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| Formato: | Artigo |
| Idioma: | Francês |
| Publicado: |
Université Laval
2019-04-01
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| Series: | Communication |
| Assuntos: | |
| Acceso en liña: | https://journals.openedition.org/communication/10057 |
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