Communions communistes (1966-1972)Une iconographie politique de l’eucharistie
This article suggests to study an aesthetic pattern shared by three European movies, directed between the ‘60s and the ‘70s. The Hawks and the Sparrows (P. P. Pasolini, 1966), Long Live Death (F. Arrabal, 1971), and Red Psalm (M. Jancsó, 1972), are all three characterized by a sequence that replay p...
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| Format: | Artigo |
| Sprache: | Inglês |
| Veröffentlicht: |
Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2020-11-01
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| Schriftenreihe: | Mise au Point |
| Online-Zugang: | https://journals.openedition.org/map/4762 |
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