‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'

This article is based on what has been outlined in ‘Part I’ and on additional references to other new German work, as well as to articles by two of the protagonists of the 1870s and 1880s, Anton Springer and Moritz Thausing. The central issue is the nineteenth century’s desire for a Verwissenschaft...

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Autor principal:	Stefan Muthesius
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Department of Art History, University of Birmingham 2013-12-01
coleção:	Journal of Art Historiography
Assuntos:	German nineteenth century art history writing Rumohr Kugler Schnaase Burckhardt Springer Justi Schelling’s Hegel’s philosophy of art Empiricism connoisseurship biographical approaches iconography formalism
Acesso em linha:	http://arthistoriography.files.wordpress.com/2013/12/muthesius-report-2.pdf
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