Negative, Nonsensical, and Non-Conformist

In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation film...

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Xuất bản năm:	Michigan Monograph Series in Japanese Studies
Tác giả chính:	Yacavone, Peter A.
Định dạng:	Livro
Ngôn ngữ:	Inglês
Được phát hành:	University of Michigan Press 2023
Những chủ đề:	thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies Suzuki Seijun, Nikkatsu, yakuza, 1960s cinema, film theory, diegesis, diegetic, classical cinema, studio system, exploitation, Japanese film, gangster movies, popular genre, aesthetics, global cinema, Japanese cinema, post-war cinema, negation, auterism, auteur, film director, New Left, New Wave, cult film, genre film, prostitution, Japanese New Wave, nuberu bagu, hard-boiled, film noir, Classical Hollywood cinema, film and philosophy, film and philsoophy, avant-garde cinema
Truy cập trực tuyến:	https://directory.doabooks.org/handle/20.500.12854/99962
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