Lo spettacolo senza riforma
The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer m...
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| Izdano u: | Premio Ricerca «Città di Firenze» |
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| Jezik: | Italiano |
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Firenze University Press
2016
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| Online pristup: | https://directory.doabooks.org/handle/20.500.12854/82823 |
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Galletti, Lorenzo 2022-06-02T04:18:15Z 2022-06-02T04:18:15Z 2016 2022-05-31T10:26:51Z ONIX_20220531_9788864533612_613 OCN: 1229880634 2705-0297 https://library.oapen.org/handle/20.500.12657/55329 https://directory.doabooks.org/handle/20.500.12854/82823 The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century. ita Premio Ricerca «Città di Firenze» open access Lo spettacolo senza riforma La compagnia del San Samuele di Venezia (1726-1749) book 50 The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century. 10.36253/978-88-6453-361-2 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9788864533612 9788864533605 9788892732643 296 Florence Firenze University Press |
| institution |
DOAB |
| collection |
Directory of Open Access Books |
| title |
Lo spettacolo senza riforma |
| spellingShingle |
Lo spettacolo senza riforma Galletti, Lorenzo |
| title_short |
Lo spettacolo senza riforma |
| title_full |
Lo spettacolo senza riforma |
| title_fullStr |
Lo spettacolo senza riforma |
| title_full_unstemmed |
Lo spettacolo senza riforma |
| title_sort |
lo spettacolo senza riforma |
| author |
Galletti, Lorenzo |
| author_facet |
Galletti, Lorenzo |
| publishDate |
2016 |
| language |
Italiano |
| container_title |
Premio Ricerca «Città di Firenze» |
| publisher |
Firenze University Press |
| format |
Livro |
| title_alt |
La compagnia del San Samuele di Venezia (1726-1749) |
| description |
The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century.
|
| isbn |
9788864533612 |
| url |
https://directory.doabooks.org/handle/20.500.12854/82823 |
| _version_ |
1826733092655595520 |