L’homme-machine – L’utopie d’un Homme nouveau ?

Armoured soldiers, sexualized machine men, mechanized athletes: Between 1914 and 1926, artists of the German and French avant-garde used the mechanical body as a motif to illustrate the crises of their time and to question man’s place in society. This volume analyses how the motif was staged – as a...

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Publicat a:	Materialität und Produktion
Autor principal:	Frèrejean, Catherine
Format:	Livro
Idioma:	Francês
Publicat:	De Gruyter 2024
Matèries:	thema EDItEUR::A The Arts::AB The arts: general topics thema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGH Human figures depicted in art::AGHF Portraits and self-portraiture in art Avant-garde Gender Studies Machine Man Modernity Utopia
Accés en línia:	https://directory.doabooks.org/handle/20.500.12854/152425
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