The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduct...
Détails bibliographiques
| Publié dans: | Quaderni di <i>Venezia Arti</i> |
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| Format: | Livro
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| Langue: | Inglês |
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| Publié: |
Fondazione Università Ca' Foscari
2023
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| Sujets: |
Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale
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| Accès en ligne: | https://directory.doabooks.org/handle/20.500.12854/134484
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