The urban male protagonist in Indian film noir: A reading of Bees Saal Baad, Woh Kaun Thi? and Kuheli
The paper seeks to analyse the characterisation of the “hero” or the male protagonist in three Indian film noirs: Bees Saal Baad (Biren Naug, 1962), Woh Kaun Thi? (Raj Khosla, 1964), and Kuheli (Tarun Majumdar, 1971). The Indian film noir of the 1960s and 1970s is distinct from the classical Hollywo...
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| Asıl Yazarlar: | , |
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| Materyal Türü: | Artigo |
| Dil: | Francês |
| Baskı/Yayın Bilgisi: |
Presses universitaires de Bordeaux
2024
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| Konular: | |
| Online Erişim: | https://doi.org/10.4000/ges.4529 https://hdl.handle.net/20.500.13089/w2vi https://journals.openedition.org/ges/4529 |
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