Melodramatic Noir: Advertising the Generic Duality of The File on Thelma Jordan and No Man of Her Own
A case study of two Barbara Stanwyck films released in 1950, The File on Thelma Jordan and No Man of Her Own illustrate the ease with which film noir and the woman’s picture could be mated in vehicles built for a major female star. These two films narratively and stylistically register the generic i...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Francês |
| Publicado em: |
Presses universitaires de Bordeaux
2024
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| Acesso em linha: | https://doi.org/10.4000/ges.4199 https://hdl.handle.net/20.500.13089/w2ve https://journals.openedition.org/ges/4199 |
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