Labour and Leviathan: Anish Kapoor and the Idea of an Embodied Polity
The argument starts out (section 1) from a description of the aesthetic encounter with Anish Kapoor’s installation Léviathan (Paris 2011), highlighting the importance of the body as the mediator of sense and senses. I take this sculpture to imagine the labour of polity-making. Drawing on Merleau-Pon...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Rosenberg & Sellier
2022
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| Acesso em linha: | https://doi.org/10.4000/estetica.14244 https://hdl.handle.net/20.500.13089/vzi8 https://journals.openedition.org/estetica/14244 |
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