The end of the working class and the tragic and ridiculous perversion of industry: Paolo Volponi’s Le mosche del capitale (1974-1989)
Le mosche del capitale [The Flies of Capital] is Volponi’s last novel, and it is inspired by autobiographical events, which are depicted at a historical level. The end of a progressist industrial paradigm entails the end of social conflicts (i.e., the end of the working class) and the passage from m...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Rosenberg & Sellier
2022
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| Sarrera elektronikoa: | https://doi.org/10.4000/estetica.14205 https://hdl.handle.net/20.500.13089/vzi7 https://journals.openedition.org/estetica/14205 |
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