La ripetizione e il sublime. Danto, Lyotard, Wathol e la fine (differita) dell’arte
This article compares two philosophers who have a different theoretical origin: respectively, Arthur C. Danto and Jean-François Lyotard. Both of them are interested in the revolutionary character of Andy Warhol’s art. Danto as well as Lyotard argues that Warhol conceives the work of art as a machine...
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| Format: | Artigo |
| Idioma: | Italiano |
| Publicat: |
Rosenberg & Sellier
2021
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| Accés en línia: | https://doi.org/10.4000/estetica.13664 https://hdl.handle.net/20.500.13089/vy54 https://journals.openedition.org/estetica/13664 |
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