A Questionable “Pleasure”: Ruins in John Piper’s and Paul Nash’s Wartime Landscape Paintings
The resurgence of Romantic influences in British art, from the late 1930s through the 1940s, has often been understood as an escapist answer to the turmoils of the time, and a longing for a lost pastoral idyll. This essay, which focuses on the wartime production of John Piper and Paul Nash, argues t...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Presses universitaires de Strasbourg
2021
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| Acesso em linha: | https://doi.org/10.4000/ranam.812 https://hdl.handle.net/20.500.13089/vrw0 https://journals.openedition.org/ranam/812 |
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