The Gringos’ Batucada: Emerging debates on cultural appropriation in the context of Brazilian popular street music in the 2000s
This article describes the emergence in the 2000s of debates about the globalized appropriation of traditional Brazilian percussion music by mostly amateur members of foreign groups called batucadas (particularly in France or samba schools, blocos, maracatus depending on the musical genre). The noti...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Urmis
2023
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| Accesso online: | https://doi.org/10.4000/alterites.1067 https://hdl.handle.net/20.500.13089/vpyy https://journals.openedition.org/alterites/1067 |
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