Peter Ackroyd, Kitsch and the Logic of Impersonal Imitation
This paper purports to analyse the ways in which Peter Ackroyd uses (in his own terms) the specifically Catholic modalities of kitsch, in accordance with the prescriptions of impersonality dear to modernist aesthetics, as an adjunct to the traditional powers of intertextuality and hypertextuality (s...
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| Format: | Chapter |
| Idioma: | Inglês |
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Presses universitaires de la Méditerranée
2005
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| Accés en línia: | https://doi.org/10.4000/books.pulm.15170 https://hdl.handle.net/20.500.13089/vifp https://books.openedition.org/pulm/15170 |
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