Rachel Haworth, From the chanson française to the canzone d’autore in the 1960s and 1970s. Authenticity, Authority, Influence
This book investigates the constitutive discourses of two musical genres often considered akin. Just to be clear, by chanson (hereafter CF) Haworth means the type of song exemplified by Brassens, Brel and Ferré, while by canzone d’autore (CdA) she refers to its Italian counterpart produced by cantau...
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | Artigo |
| اللغة: | Inglês |
| منشور في: |
Presses universitaires de Rennes
2017
|
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://doi.org/10.4000/volume.5471 https://hdl.handle.net/20.500.13089/ltk9 https://journals.openedition.org/volume/5471 |
| الوسوم: |
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|