Keith Negus, Bob Dylan
When, during a performance in 1964, Bob Dylan was recorded referring to a “Bob Dylan mask”, he provided a perfect soundbite for later critics keen to highlight the artist’s seemingly deliberate manipulation of his audience’s expectations. Keith Negus’s short, lucid analysis of Dylan as popular music...
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| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Presses universitaires de Rennes
2012
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| オンライン･アクセス: | https://doi.org/10.4000/volume.3125 https://hdl.handle.net/20.500.13089/lthi https://journals.openedition.org/volume/3125 |
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