Francisco Mattos (ed.), industrial culture Handbook
An episode of the the U.S. Public Broadcasting Service documentary series P.O.V. titled ‘‘Baby, It’s You’’ (2 June, 1988) captures a glimmer of what is left of that early eighties music-art scene known as ‘‘industrial.’’ In the wake of a newscast detailing new information about the Columbine High Sc...
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| フォーマット: | Artigo |
| 出版事項: |
Presses universitaires de Rennes
2004
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| オンライン･アクセス: | https://doi.org/10.4000/volume.2103 https://hdl.handle.net/20.500.13089/ltgx https://journals.openedition.org/volume/2103 |
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