La nostalgie construite
The phenomenon of rock’s past having occluded its present is examined through the intentionality that grounds it culturally. Specifically, neo-nostalgia (Jameson) and similar postmodern terms (simulation, construction) constitute the intentionality and the commercial interests of the music industry...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Presses universitaires de Rennes
2014
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| Acesso em linha: | https://doi.org/10.4000/volume.4310 https://hdl.handle.net/20.500.13089/lt7k https://journals.openedition.org/volume/4310 |
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