Écouter le monde mais n’entendre que soi
This essay problematizes some of the ways in which aesthetic preferences intersect with listeners’ perspectives on borders, boundary crossings, and constructions of authenticity as they encounter musical hybridity and processes of globalization. Using analytical ideas drawn from hybridity theory (Ga...
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| Formato: | Artigo |
| Idioma: | Francês |
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Presses universitaires de Rennes
2013
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| Acceso en liña: | https://doi.org/10.4000/volume.3835 https://hdl.handle.net/20.500.13089/lt75 https://journals.openedition.org/volume/3835 |
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