Jim Jarmusch’s Aesthetics of Sampling in Ghost Dog–The Way of the Samurai
The aim of this paper will be to examine the stylistic and, to some extent, thematic interplay between written text, cinematic narratives and soundtrack in Jim Jarmusch’s Ghost Dog–The Way of the Samurai. Indeed, Jarmusch weaves a rich intertextual network by means of an aesthetic of sampling clearl...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Presses universitaires de Rennes
2004
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| Ngā marau: | |
| Urunga tuihono: | https://doi.org/10.4000/volume.1973 https://hdl.handle.net/20.500.13089/lt49 https://journals.openedition.org/volume/1973 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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