“He’s Not Good, But He’s Not Bad”: Jason Bateman as the White, Middle-Class Devil

Jason Bateman, as a former child star, a Hollywood party-boy-turned-family-man, and a seemingly un-aging actor imbued with privilege, created a persona that is instrumental for understanding the television shows (and films) in which he stars. Combining the rationality and order often associated with...

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Detalhes bibliográficos

Autor principal:	Selznick, Barbara
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Université Paul Valéry Montpellier 3 2022
Assuntos:	masculinité Bateman Jason Ozark Arrested Development drame policier télévisé blanchité classe socio-économique masculinity television crime drama whiteness socioeconomic class
Acesso em linha:	https://doi.org/10.4000/tvseries.5834 https://hdl.handle.net/20.500.13089/lphj https://journals.openedition.org/tvseries/5834
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