Lost, or a Guide for the Lovesick
By inventing initiatory melodrama, by constructing a perfect gaze and by telling different love trajectories (be they perfect or imperfect), Lost embodies two things simultaneously for its spectator. Through the motif of the eye, the series puts us in the contemplative place of Jacob as protector of...
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| Інші автори: | |
| Формат: | Artigo |
| Мова: | Inglês |
| Опубліковано: |
Université Paul Valéry Montpellier 3
2016
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| Онлайн доступ: | https://doi.org/10.4000/tvseries.4978 https://hdl.handle.net/20.500.13089/lpgv https://journals.openedition.org/tvseries/4978 |
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