Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta
In the 2000s, electroacoustic music created something new in Buenos Aires. Composers recognized in the tradition, at the time centered around the concerts of the Laboratorio de Investigación y Producción Musical (LIPM), were interested in including sounds and spaces as materials and scenarios in the...
Bewaard in:
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| Formaat: | Artigo |
| Taal: | Inglês |
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Éditions de l’EHESS
2021
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| Online toegang: | https://doi.org/10.4000/transposition.5887 https://hdl.handle.net/20.500.13089/lmh4 https://journals.openedition.org/transposition/5887 |
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