Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana
Academic interest in the musical life of fascist Italy has never been strong, even among Italians. Back in the 1980s, Richard Taruskin thought he could explain the uninspiring nature of the topic, as he saw it, by reference to the poor quality of twentieth-century Italian composition. He literally d...
Uloženo v:
| Hlavní autor: | |
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| Médium: | Artigo |
| Jazyk: | Inglês |
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Éditions de l’EHESS
2019
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| On-line přístup: | https://doi.org/10.4000/transposition.2908 https://hdl.handle.net/20.500.13089/lmg3 https://journals.openedition.org/transposition/2908 |
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