Mark Duffett, ed., Popular Music Fandom. Identities, Roles and Practices
“The broader depictions of fans beginning in the early 1990’s as not only consumers, but producers […], and not only individual fanatics, but members of communities with shared norms, values, and interpretations of texts […], marked a turning point in research on fans” (186). “By participating in fa...
Збережено в:
| Автор: | |
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| Формат: | Artigo |
| Мова: | Inglês |
| Опубліковано: |
Association française d'Etudes Américaines (AFEA)
2014
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| Онлайн доступ: | https://doi.org/10.4000/transatlantica.7203 https://hdl.handle.net/20.500.13089/lliu https://journals.openedition.org/transatlantica/7203 |
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