Emily Dickinson’s Line Breaks in Her Envelope Poems
By taking a close look at the poems Emily Dickinson wrote, in the last fifteen years or so of her life, on envelopes (as gathered and transcribed in The Gorgeous Nothings, edited by Marta Werner and Jen Bervin), this article addresses the question of writing on a constrained surface—itself riddled w...
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| Materialtyp: | Artigo |
| Språk: | Inglês |
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Association française d'Etudes Américaines (AFEA)
2021
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| Länkar: | https://doi.org/10.4000/transatlantica.16884 https://hdl.handle.net/20.500.13089/ll55 https://journals.openedition.org/transatlantica/16884 |
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