Courbet, Catlin, and the Exploitation of Native Americans

This essay interrogates connections between Gustave Courbet’s The Painter’s Studio (1855; Musée d’Orsay) and the visual culture of American Indian performance in Paris. The article builds evidence from visual analysis and from reviews of George Catlin’s American Indian Gallery (Paris, 1845) written...

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Detalhes bibliográficos

Autor principal:	Roos, Jane M.
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Association française d'Etudes Américaines (AFEA) 2017
Assuntos:	George Catlin Gustave Courbet Iowa Ojibwa performance amérindienne George Sand saltimbanque colonisation de peuplement P.T. Barnum Salon de 1846 Native American performance settler colonialism the Salon of 1846
Acesso em linha:	https://doi.org/10.4000/transatlantica.11062 https://hdl.handle.net/20.500.13089/ll1s https://journals.openedition.org/transatlantica/11062
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