Unfixing the Frame: Visualizing Histories of Transcultural Contact, Exchange & Performance in Prince Roland Bonaparte’s Peaux-Rouges (1884)

This article analyzes the photographic album Peaux-Rouges compiled by Prince Roland Bonaparte in 1884. This album focuses on a troupe of visiting Umonhon (Omaha) Indians in Paris and presents them through tribally specific history and memory. Created within the emergent discourses of nineteenth-cent...

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Autor principal:	Voelker, Emily L.
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Association française d'Etudes Américaines (AFEA) 2017
Assuntos:	race performance American Indians anthropology ethnographic photography Indigenous Jardin d’Acclimatation Omaha / Umonhon transculturality Amérindiens anthropologie photographie ethnographique autochtone Omaha / Umonhon; performance « race » transculturalité
Acesso em linha:	https://doi.org/10.4000/transatlantica.10822 https://hdl.handle.net/20.500.13089/ll1o https://journals.openedition.org/transatlantica/10822
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