Autour de l’iconographie du “Triomphe d’Amour” dans deux mises en prose, entre manuscrit et imprimé
The French translations of Petrarch’s Triumphi attracted the attention of many scholars at various times. They repeatedly studied the considerable success that some of these adaptations in both verse and prose enjoyed in the kingdom of France between the 1470s and 1550s. The study of this corpus is...
Сохранить в:
| Главный автор: | |
|---|---|
| Формат: | Artigo |
| Язык: | Francês |
| Опубликовано: |
Rosenberg & Sellier
2020
|
| Online-ссылка: | https://doi.org/10.4000/studifrancesi.41673 https://hdl.handle.net/20.500.13089/kxk8 https://journals.openedition.org/studifrancesi/41673 |
| Метки: |
Нет меток, Требуется 1-ая метка записи!
|