Galathée pulvérisée: expérience de l’altérité et sensibilité dans “Le Rêve de d’Alembert” de Diderot
As a matter of fact, the pulverization of Falconet’s statue, which Diderot sketches out at the beginning of his Rêve de d’Alembert (1769), does not represent an iconoclastic act, but it’s rather an attempt to tell the genesis of a conscience – regardless of the traditional forms of the myth, but on...
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| Natura: | Artigo |
| Lingua: | Francês |
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Rosenberg & Sellier
2017
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| Accesso online: | https://doi.org/10.4000/studifrancesi.10114 https://hdl.handle.net/20.500.13089/kxeq https://journals.openedition.org/studifrancesi/10114 |
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