Introduction
Each appearance of a new work of art corresponds to a re-calibrated “ambivalence between the living and the created” (Berger 189). Looking at the momentariness of textualities which have been construed as monumental and timeless by some critical traditions (see Folliot and Lopoukhine on Wordsworth)...
Guardat en:
| Autors principals: | , |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Centre de recherche VALE
2019
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| Accés en línia: | https://doi.org/10.4000/sillagescritiques.9225 https://hdl.handle.net/20.500.13089/kq5a https://journals.openedition.org/sillagescritiques/9225 |
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