Feminine Endings in The Duchess of Malfi
This article takes as its starting point a convention in prosody that stylistically pushes the feminine and femininity to the margin of the poetic line and excludes them from the metrical norm. Extending that principle to the play, it offers a reflection on the way endings are made distinct for fema...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Centre de recherche VALE
2019
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| Acesso em linha: | https://doi.org/10.4000/sillagescritiques.7182 https://hdl.handle.net/20.500.13089/kq4k https://journals.openedition.org/sillagescritiques/7182 |
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