Punchdrunk’s Immersive Theatre: From the End to the Edge
Immersive theatre appears to be a flourishing trend on the contemporary British scene. The events which are labelled as such all share the intention of “[placing] the audience at the heart of the work” (Josephine Machon) and abolish the distinction between stage and auditorium to merge them into one...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Centre de recherche VALE
2018
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| Ngā marau: | |
| Urunga tuihono: | https://doi.org/10.4000/sillagescritiques.6341 https://hdl.handle.net/20.500.13089/kq47 https://journals.openedition.org/sillagescritiques/6341 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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