Transnational Aesthetics in “Harlem: Mecca of the New Negro”

Abstract: This paper examines the transnational dimensions of the March 1925 issue of Survey Graphic, the “Harlem: Mecca of the New Negro” issue that eventually led to the publication of Alain Locke’s New Negro Anthology. The paper examines this text by looking at the work of German artist Winold Re...

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Podrobná bibliografie

Hlavní autor:	Peterson, Whit Frazier
Médium:	Artigo
Jazyk:	Inglês
Vydáno:	Centre d'Histoire "Espaces et Cultures" 2021
Témata:	Germany 1920s Harlem Renaissance Survey Graphic magazine Transnationalism Harlem (USA) West Indies 1924 transnationalisme Renaissance de Harlem Survey Graphic (magazine)
On-line přístup:	https://doi.org/10.4000/siecles.8957 https://hdl.handle.net/20.500.13089/kpd5 https://journals.openedition.org/siecles/8957
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