Of Ruskinian Topography: Visible and Legible Salience in Modern Painters
As contemporary critics have shown, John Ruskin’s lifelong interest in geology not only provided him with a unique understanding of the mountain as a painting subject but also allowed him to develop an idiosyncratic theory of perception where movement and salience prevail – a theory he then applied...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Association pour la diffusion de la recherche alpine
2016
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| Acceso en liña: | https://doi.org/10.4000/rga.3407 https://hdl.handle.net/20.500.13089/k4j8 https://journals.openedition.org/rga/3407 |
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