Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the...

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Главный автор:	Delgado-Ureña Díez, Diana
Формат:	Artigo
Язык:	Inglês
Опубликовано:	Universidade Federal do Rio Grande do Sul (UFRGS) 2021
Предметы:	chorégraphie perspectivisme amérindien processus de subjectivation modes de relation corporéité choreography Amerindian perspectivism subjectivation processes relationship modes corporeality coreografía perspectivismo amerindio procesos de subjetivación modos de relación corporalidad
Online-ссылка:	https://hdl.handle.net/20.500.13089/jhc6 https://journals.openedition.org/rbep/965
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