The Actor-Document: traits of a poetics that challenges the limits between presence and representation
During the 1960s and 1970s, Argentine theater experienced an almost simultaneous interest in the documentary and the political, as well as a experimental hybridization of forms. Later developments led to the autobiographical theater of the 1980s and 1990s and to the biodrama of the 2000s. Mi vida de...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Universidade Federal do Rio Grande do Sul (UFRGS)
2021
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| Sarrera elektronikoa: | https://hdl.handle.net/20.500.13089/jhc2 https://journals.openedition.org/rbep/940 |
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