All is not Gold that Glitters: The Gilded Apple (1899)
In 1901, the neo-pre-Raphaelite artist Eleanor Fortescue-Brickdale became an overnight success with a show of watercolours at the London dealers Dowdeswell’s. The works were characterised by critics as decorative moralities relying on allegory and literary reference. Focussing on one of these works,...
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
SAIT
2016
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| Accés en línia: | https://doi.org/10.4000/polysemes.928 https://hdl.handle.net/20.500.13089/j64v https://journals.openedition.org/polysemes/928 |
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