Museum ad nauseam? Museums in the post-modern labyrinth
In 1956, as France was just beginning to savor the benefits of a consumer society, Charles Estienne, an influential and popular French art critic who was championing the most advanced forms of modern art, finally decided to give up his career in the art world and devote himself to writing popular so...
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| Hlavní autor: | |
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| Médium: | Artigo |
| Jazyk: | Inglês |
| Vydáno: |
Institut national d'histoire de l'art
2015
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| Témata: | |
| On-line přístup: | https://doi.org/10.4000/perspective.6078 https://hdl.handle.net/20.500.13089/ixwd https://journals.openedition.org/perspective/6078 |
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