The Voice(s) of The Tempest(s)—Listening to the Translator’s Voice on Stage
This article investigates the role of voice in translated theatre, through an analysis of two rewritings / translations of William Shakespeare’s The Tempest, the postcolonial rewriting by Aimé Césaire, Une Tempête, and Eduardo De Filippo’s translation in Seventeenth century Neapolitan dialect, La Te...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Presses Sorbonne Nouvelle
2016
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| Acesso em linha: | https://doi.org/10.4000/palimpsestes.2311 https://hdl.handle.net/20.500.13089/iutn https://journals.openedition.org/palimpsestes/2311 |
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