Marcel Duchamp. La Peinture, même.
Thirty-seven years after the first Duchamp exhibit for the grand opening of the Centre Pompidou in 1977, the purpose of the new Duchamp retrospective was, as the title clearly indicates, to counter the too-popular assumption that Duchamp is « the artist who killed painting » with his first readymade...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Université Toulouse - Jean Jaurès
2015
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| Assuntos: | |
| Acesso em linha: | https://doi.org/10.4000/miranda.7496 https://hdl.handle.net/20.500.13089/ibsw https://journals.openedition.org/miranda/7496 |
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