Filming Nothingness
The paper aims to expound on the philosophical significance of Carmelo Bene’s oeuvre. In the 1970’s and 1980’s, when the international debate in Europe was dominated by French post-structuralism and Derridean deconstructive criticism, Beneian artistic praxis eluded – I contend – the so-called “metap...
Bewaard in:
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| Formaat: | Artigo |
| Taal: | Inglês |
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Accademia University Press
2015
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| Online toegang: | https://doi.org/10.4000/mimesis.1085 https://hdl.handle.net/20.500.13089/iazg https://journals.openedition.org/mimesis/1085 |
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